This edition embraces Strindberg's crucial transition from the Naturalism to Modernism, from his two finest achievements as a psychological realist, The Father and Miss Julie, to the three plays in which he redefined the possibilities of European drama following his return to the theatre in 1898. Michael Robinson's highly performable translations are based on the authoritative texts of the new edition of Strindberg's collected works in Swedenand include the Preface to Miss Julie, Strindberg's manifesto of theatrical naturalism.
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